Friday, July 27, 2012

The Real Niggas of Paris


France, a country with a reputation for romance, is showing no love to their former colony of Algeria. Algeria is a North African country that won its independence from France in 1962 after France occupied Algeria for a 132 years. When France exited Algeria, they took various cultural artifacts that were imperative to Algerian national heritage with most items pre-dating France's invasion in Algeria. They not only took artifacts but other documents of importance such as maps of Algeria's underground sewers, gas pipes and electricity lines. *Blank Stares*

These acts were crippling when Algeria implemented plans for its underground transit system and didn't know what the fuck they were digging through because they didn't have the maps. So why would France want maps of a another country's underground system? Simple, it is another way to make Algeria financially beholden to France, to undermine their independence and sovereignty, and it could be used as a stratagem of warfare if Algeria and France ever engaged in armed conflict in the future. It's a real disadvantage to enter into warfare with a country who has the maps to your country's underground systems and you don't even have them.

My class participated in a discussion in one of my classes about France stealing (yes, stealing because that's what it was) components of Algeria's cultural heritage and needless to say I was disappointed but not surprised by some of the answers my future colleagues gave.

One student said, "Well where is the line to be drawn where artifacts are supposed to have papers."

Let's think about this statement for a moment. The line is drawn when the owner of the said property clearly has no papers for their items. I'm pretty sure France has no papers to these artifacts because they STOLE them. France also doesn't have any papers because ALGERIA DID NOT GIVE THEM ANY! And if you have no papers for historical artifacts that pretty much means you don't legally own them. Furthermore, if  France had absolute claim to these objects they would not have put forth a proposal asking Algeria to give up their claims to these items. If something rightfully belongs to you, you don't request that another person relinquishes all claims of ownership to what is supposedly yours. They're trying to finagle Algeria into this position because they know that Algeria has a legitimate claim to these artifacts. The choice given to Algeria is more proof of France's guilt and ambiguity in their right to possess these items.

Another student said, "France didn't steal it because it was a spoil of war."

I guess we're reverting back to the Middle Ages with this statement. Women also used to be spoils of war, so I guess if France had walked away with half of Algeria's women as "booty" then that would have been okay too. These artifacts were not spoils of war. Why? Because France lost when Algeria won their independence. According to this argument the items France took afterwards were not spoils of war since they were not the victor in the war of independence. And I hope to never hear this statement again as an assertion of why one country should keep another country's cultural artifacts after subjecting them to occupied colonialism for 130 years..

Another one of my peers said, "Well, when you have a war and you have a situation where France implemented policies in Algeria and are a part of Algerian history then the area is gray and there is no right and wrong answers."

I told her there was a right answer and that was for France to give back what did not belong to them. The objects stolen pre-date French rule in Algeria, therefore, it is not a part of the unfortunate shared colonial history between Algeria and France. If Algerians completely viewed themselves as French then they wouldn't be asking for these artifacts. They would let France possess them as an indicator of  a shared French and Algerian identity.

Another student mentioned that it was a bloody war on both sides but lamented how Muslims were blowing up French cafes during the war of Independence and my professor compared it to a second intifada (100,000 French died in the war). They completely ignored the 1.5 million Algerians who died during the war, the Algerians who died when France initiated aggression against Algeria in 1830 and those who died when France brutalized Algerians to cull dissent and maintain power during their colonial rule. Frantz Fanon wrote about the cultural and physical subjugation Algerians endured at the hands of the French and the psychological toll it took on its inhabitants in his book, The Wretched of the Earth.

The bottom line is that many of my peers do not come from recent histories where their ancestors experienced some form of cultural annihilation so I don't expect some of them to truly understand the ethics and ramifications of stealing another country's culture. As the progeny of those who colonized various parts of the globe it is fitting that some would present the type of arguments above when it is clear that the items were taken illegally. A few brought up the subject of the legalities of France's ownership but could not expand on how France might be legally entitled to these cultural relics. I found this conversation with my peers interesting and scary since we are taught as archivists that the importance of historical relics are essential to a nation's identity and cultural memory. This means that above anyone else they should unequivocally understand why it is imperative for France to return these items to Algeria.

I had the last word in the argument saying France was not providing access to these relics and maps because their possession of these items goes beyond taking what they thought was theirs at the end of the war. I said it was a form of cultural annihilation in the face of a humiliating defeat suffered at the hands of Algeria. My professor laughed and gave me a look as if I was implying something absurd or going too far in my assessment of the situation. I'm pretty sure Algerians would agree with my statement and would not find it ludicrous by any shadow of a doubt.

If France returned the objects it would be an admittance that it was taken wrongfully. What is clear is that by not returning the objects Algeria is denied a chance to transcend its past as a French colony and the suffering experienced during the war of Independence. The return of these items could also heal France's historical wounds but they are recalcitrant to do what is ethical. Instead, they would rather linger in historical purgatory, not fully acknowledging how their actions damaged and continue to effect Algeria. According to the contempt and deplorable treatment shown to Algerians by the French, we know who the real niggas of Paris are and it isn't Jay-Z or Kanye West.

Sunday, July 8, 2012

The Hulk Was Banging On My Wall!


I was talking to my sister three nights ago and she was telling me about something my father had said that was hilarious. I burst out laughing for a couple of seconds but before I could finish sharing the joke with my sister I hear my neighbor banging on the wall. *Blank Stares* I'm thinking to myself is this bitch crazy? Although, it was twelve in the morning, my laugh was short lived. Therefore, it did not warrant the preemptive knock on my wall as if I was going to be cackling for ten minutes straight. What pissed me off even more was that she interrupted an enjoyable moment that I was having with my family (which I cherish since I'm away from home for the summer) and I was not able to enjoy the rest of the conversation because my mind was on how rude this heifer was.

Mind you, I have listened to the Hulk (that's what I call her since she looks like a man and shakes the ground when she walks) laugh plenty of times next door and not once did I have the gall to bang on the wall to signal to her to be quiet. Would you like to know why I didn't do this? Because it was nothing more than a laugh that lasted a couple of seconds just like mine did. If you have a noise problem with me (which she never does because I am considerate) then knock on my door like a human being but don't bang on my wall like a fucking animal and think you're going to get a sensible response from me. She wouldn't have had a reason to knock on my door anyway since my laugh ended up being fleeting.

I'm one of those people that can tolerate a lot from people and it takes a lot to set me off but I'm human and if you do some shit to me that's off the wall then I can turn into an ignorant heathen real quick. This means that you have to disrespect me on a scale that is too large to be ignored before I have to address you. I have never been a person that has gone off at the slightest provocation because that is irrational. I'm sorry but turning the other cheek doesn't work for me all the time and neither does that walking away mantra bull shit. I have always stood up for myself and I will not allow anyone to walk over me or treat me in a manner differently than the way I treat them.

I could have easily walked next door and cussed her ass out but I didn't do that. Instead I've been watching stand up comedy routines for the last two nights in a row, laughing loud as hell at 2 o'clock in the morning and wishing this bitch would have the audacity to knock on my wall again. The night before I watched Richard Pryor, last night I watched Paul Mooney and tonight I will be watching Robin Harris. And while you might be saying that I should take the high road, at this moment I really don't give a fuck about taking the the high road, highway or any other fucking streets that's supposed to lead to some higher level of moral satisfaction and righteousness. I'll stop eventually but she brought it on herself with her asinine behavior. Now who's having the last laugh?

Sunday, July 1, 2012

Images of History from the Chicago Stylebook


Since, I am recognizing the power of historical authenticity in photographs; I bring to you my second post of Images from the Chicago Stylebook. My first one dealt with fashion in the 1940's but now I'm bringing it to the 1970's, the disco years. I love looking at the fashion of decades past, especially those of African-Americans because if you let a specific French Elle writer tell it, American Blacks now have a shot at becoming fashionable since the ascendancy of our President and First Lady Michelle and Barack Obama. (Sigh, this is part of the reason why the myth of  Black inferiority endures because of ignorant media portrayals such as these coded in polite language.)

The pictures below are from the photographer Michael Abramson who traveled to the South Side of Chicago in the 1970's and documented the vitality of its nightclubs. These photos come from his book titled, Light: On the Southside, which explores his exploits. The book also includes an LP set with Blues music. I plan on purchasing this book because the photos are amazing! Enjoy! You can click on the pictures to get a better close up.


Michael Abramson and a club patron